finance
Get paid as tickets sell. Know where every dollar goes
Your ticket money moves through your own Stripe account, not ours, and lands as sales happen. Then Eventrise tells you what the event actually made.
finance
Get paid as tickets sell. Know where every dollar goes
Your ticket money moves through your own Stripe account, not ours, and lands as sales happen. Then Eventrise tells you what the event actually made.

Payouts
The deposit is due before doors. Your money should be too.
Payouts land in your own Stripe account as tickets sell. No reserve held back, no waiting until after the show, and no "instant payout" fee for money that's already yours. Every payout is tracked per event.
Every show, a real P&L
Track income and expenses against a budget, per event. Log vendors and what you owe them. Export the summary when the accountant asks; it's one click, not a weekend.

Every show, a real P&L
Track income and expenses against a budget, per event. Log vendors and what you owe them. Export the summary when the accountant asks; it's one click, not a weekend.

Real-time, minus the dashboard maze
Sales and revenue insights per event and across the org, down to sales by ticket type: enough to make the call, not enough to need a training course.
Real-time, minus the dashboard maze
Sales and revenue insights per event and across the org, down to sales by ticket type: enough to make the call, not enough to need a training course.
Reports that come to you
Sales by day, revenue summaries, check-ins, transfers, refunds, promo-code performance. Schedule any of them to arrive by email: daily during the on-sale, weekly the rest of the year. Fee revenue stays separate from face value in every report, so settlement math stays clean.
Reports that come to you
Sales by day, revenue summaries, check-ins, transfers, refunds, promo-code performance. Schedule any of them to arrive by email: daily during the on-sale, weekly the rest of the year. Fee revenue stays separate from face value in every report, so settlement math stays clean.
One number to remember: 5%
A $100 ticket costs the buyer $108.20 and pays you $100. Every fee is added at checkout, never carved out of your payout. We only make money when you do.
One number to remember: 5%
A $100 ticket costs the buyer $108.20 and pays you $100. Every fee is added at checkout, never carved out of your payout. We only make money when you do.
Every show, a real P&L
Track income and expenses against a budget, per event. Log vendors and what you owe them. Export the summary when the accountant asks; it's one click, not a weekend.

Reports that come to you
Sales by day, revenue summaries, check-ins, transfers, refunds, promo-code performance. Schedule any of them to arrive by email: daily during the on-sale, weekly the rest of the year. Fee revenue stays separate from face value in every report, so settlement math stays clean.
Real-time, minus the dashboard maze
Sales and revenue insights per event and across the org, down to sales by ticket type: enough to make the call, not enough to need a training course.
One number to remember: 5%
A $100 ticket costs the buyer $108.20 and pays you $100. Every fee is added at checkout, never carved out of your payout. We only make money when you do.
Venue fees
Your fee, on every ticket
Add a named fee of your own, like a facility fee, and keep 100% of it. The industry buries this in a service charge; Eventrise does it in the open.

Outside the split, and all yours
Put $3 into face value and most of it goes to the artist split. Charge a $3 facility fee and the room keeps every cent. Our 5% applies to your ticket price only, never on top of your fee.

Outside the split, and all yours
Put $3 into face value and most of it goes to the artist split. Charge a $3 facility fee and the room keeps every cent. Our 5% applies to your ticket price only, never on top of your fee.

Shaped like your deal memos
Set a named fee once for the whole organization, then override it per show or per ticket type. Make it flat or a percentage, with caps and face-value bands, and skip comps, free tickets, or specific ticket types.

Shaped like your deal memos
Set a named fee once for the whole organization, then override it per show or per ticket type. Make it flat or a percentage, with caps and face-value bands, and skip comps, free tickets, or specific ticket types.

Ready for the settlement desk
Every fee lands in your finance summary classified as off the top or venue income, the way deals are written. It rolls up to a real NBOR line, the number you argue from at settlement, without rebuilding it in a spreadsheet first.

Ready for the settlement desk
Every fee lands in your finance summary classified as off the top or venue income, the way deals are written. It rolls up to a real NBOR line, the number you argue from at settlement, without rebuilding it in a spreadsheet first.



